All day on Someday. It’s getting there. The Hammond part starts off sounding dire: repetitive and cheesy. Then I revert back to the chords and let Bec’s melody do the leg work. Finally I put the thing through a bass amp, through radio distortion on the Kaoss Pad, and capture the whole thing back into Logic using a RVD-1 kick mic. The result? A grittier, less 24-bit processed sound which I’m very happy with.